“It’s a kind of reincarnation without death: all these different lives we get to live in this one body, as ourselves.”
“When I try to imagine the addresses of the houses and apartments I lived in before my grandparents kidnapped me, I can’t remember anything.”
“How rich and diverse, how complex and non-linear the history of all women is.”
“All that matters is that you are making something you love, to the best of your ability, here and now.”

(M)otherhood in the Observer:
“In (M)otherhood, behavioural scientist Pragya Agarwal wonders if a book questioning the parental self and society’s attitudes to that self needs to define itself either as memoir or as political writing: ‘Does it really have to sit in a box?’ Here is proof that it really doesn’t: this is an exhilarating, genre-defying read… The whole thing adds up to the most thoughtful, empathic and inspiring science of the self.”
Viv Groskop
Observer
Presenting: THE BOOK OF FORM & EMPTINESS The unforgettable new novel from @TheBookerPrizes-shortlisted author of A Tale For the Time Being, Ruth Ozeki (@ozekiland). Pre-order via your local bookshop, or online at linktr.ee/thebook
Terri White, author of Coming Undone on how the pain and visibility of her tattoos helped her.
“Each tattoo was a fresh start. The needle that pounded and pricked, the ink that was dragged down into the dermis. My skin was reimagined, quite literally redrawn. When I looked in the mirror, when others looked at me, I was no longer the girl who was pared and peeled. I was the woman who said: ‘No more, never again. You won’t claim me, you can’t, because I’ve claimed myself.’”
Elle

Terri White has started a new Coming Undone podcast, named for her memoir, which is out in paperback tomorrow! In it she talks to people about their stories of struggle, and of putting themselves back together. The first episode is an interview with the Rev. Richard Coles. Download the podcast now, or listen on Spotify.

“It’s quite volatile, the photography scene [compared to] the canon in literature… the history of photography is always having to get written.”
Geoff Dyer in the Irish Times on his new book, See/Saw.
Irish Times
The Mauritanian is a new film starring Jodie Foster, Tahar Rahim and Benedict Cumberbatch, directed by Kevin Macdonald. It’s based on Guantánamo Diary, Mohamedou Ould Slahi’s unflinching account of his fourteen years of detention without charge in Guantánamo Bay.
Robert Webb – author of How Not to be a Boy, star of Peep Show and statistically half of Mitchell & Webb – talks about his debut novel, Come Again, out now in paperback!
‘“I would read an excerpt in Edinburgh and the idea of Mrs Death would be met with a cheer and a ‘yay!’. And exactly the same excerpt down in Bloomsbury [would have] everyone crying, me crying, big hugs at the end … What it has got me thinking is, I wonder if there is a geography of mourning, a geography of grief.” All the reactions are welcome, though. She still thinks one of the scariest things about death is that it is so often surrounded by silence.’
Taboo-busting poet Salena Godden talks to the Guardian about her debut novel Mrs Death Misses Death, missing performing and why Brits struggle to speak about her novel’s all too timely subject.
Katy Guest
Guardian

“You should read this collection at least twice. The first time, horse it into you—then study the technique.”
Naoise Dolan reviews That Old Country Music in The Stinging Fly.
The Stinging Fly

“One of the great Scottish crime writers is back”: The April Dead by Alan Parks is crime Book of the Month in The Times.
The Times